Showcase of the Short

My young writers at Didcot Girls’ School have made it to the half term breather, which seems like a good opportunity for me to take stock. We are six weeks in to the mentoring programme, and the poets have responded to my first call for submissions of work for this blog.

So here they are, in a mini showcase; a taster of some of their work so far.

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The following two poems came out of our ‘Imagist’ workshop, where we read/examined/re-lived the brevity of William Carlos Williams ‘the red wheelbarrow’ (read the poem here).

Enjoy these takes on the lived moment, by Elizabeth Cairns and Thomas King:

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© Copyright to Thomas King 2019
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© Copyright to Elizabeth Cairns 2019

I absolutely love the way they have created poems that orbit round a core image with simplicity and utter brevity – all much harder to achieve than you’d imagine!

I’m delighted to have two Graduate Poets on the programme this year (they completed the programme with me last year, and return to continue to develop as poets as well as to lead and contribute to our writers’ community). I’m excited to be able to share some current work by one of our Graduates, Elena Ignatyeva (year 10). It’s a privilege to continue mentor and support such talented poets. I think you’ll see what I mean, when you take a look at her new work –

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© Copyright to Elena Ignatyeva 2019

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The Universe and Us

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(Photo by icon0.com from Pexels)

What is it to be free? What does it look like, for you?

This week with my young writers, we had freedom in mind. We talked about personal freedoms. We discussed free verse and poetic form. We read a poem that’s overflowing with freedom in its use of language, music and powerful self-expression. We did some free writing. We felt free.

I’ve cheekily borrowed the title of this blog entry from that poem I’ve just been referring to: Toria Garbutt‘s joyful reminiscent song that celebrates the downtime of her past schooldays, ‘That inbetween space/ after school/ before tea/… just t’sunshine/ and t’tele/ and t’settee/ and me’

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It’s such a punchy poem: wild and free. In our free writing time, when we let all ideas come, writing down everything (always applying our mantra: #nofilter), we borrowed Garbutt’s lines, using them as a point to launch from. We explored our own ‘inbetween spaces’, celebrating the moments when we’re released from timetables, revision, expectations, worries, responsibilities… The list goes on.

I’m so proud of the fact that this Young Writers’ mentoring programme at DGS opens up a window of freedom for these brilliant students. A chance to step back and just BE. From this place, they can produce stunning writing.

But it’s not just about the writing.

Being free to be creative, to fulfill our creative potential, is an essential part of our lives. I recently ‘listened again’ to the important episode of BBC Radio4s Front Row, ‘Arts Education in Schools’. There were so many  views presented from a range of relevant viewpoints, on the devastating decline of the arts subjects in England’s secondary schools, the reasons for it (EBacc, League Tables, Gove, to name a few) and the damaging impact this is likely to have on the next generation of Artists (of all kinds) in our country. It was an unmissable debate, please catch it up if you can.

Most importantly, the discussions in the programme highlighted the unlimited benefits of creativity for our young people. The debate was an essential reminder that being creative isn’t only good for the individual, it’s good for society as a whole. WE NEED CREATIVES, now and in the future, to bring their blue sky thinking, their innovation and wide-ranging problem-solving, to our industries – both creative and otherwise. We need ‘that inbetween space/ before bed/ after tea/ …just t’sunset/ n t’moonlight/ n t’universe/ n me.’

(You can read ‘The Universe And Me’ in Toria Garbutt’s amazing collection of the same name, published by the stonking indie publisher, Wrecking Ball Press.)

 

 

I’m a writer. Do I feel inspired?

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We’re now on week 3 of our Young Writers’ Mentoring programme 2018/19,

which I run as part of my Patron of Writing role at Didcot Girls’ School, so it’s high time I posted an update, methinks!

I guess what impressed me most at first about my new cohort of 23 year 9 and 10 students, was their openness to inspiration as writers. 

I think it’s true to say that ALL writers (poets, novelists, bloggers, life writers etc) have periods of writer’s block, when the ideas go quiet and all moments of inspiration dry up. In that situation, it’s hard not to wobble and question yourself (‘I know I wrote that great thing ONCE, but what if I’m a one-trick pony? A fake?) Out of necessity, to combat these periods, we have to develop strategies for managing these crises. Prevention is generally better than cure; for this reason I start at the beginning with my mentees, challenging them on where and how they find their ideas, as well as how, where and why they ‘store’ them.

The refreshing news is that, during our week 1 discussion on this, the group contributed a wide range of places/events/stimuli where they find inspiration, as well as a broad spectrum of methods/technology they use for storing and retaining these ideas (as and when they encounter them!) Here are a handful of their ideas, as captured in my messy whiteboard notation, around the central question: ‘where do we get our ideas?’

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My particular favourites here are: memes; ideologies and role play! It was also really refreshing that ‘stuff you read’ came up; this sparked another conversation later about how necessary and significant it is for writers to read.

The discussion proved to me that young writers are more alert and open to stimuli than more mature writers. As ‘adult’ writers, somehow we have to work harder at finding and retaining fresh ideas and material. I have to admit I’m a bit jealous.

Ultimately, it’s amazing to have these discussions, and I know that increasing their awareness of their own creative process will enhance their range and productivity even further. Which is pretty exciting.

 

Patron of Writing: Looking forwards. Looking back.

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Photo by Rakicevic Nenad from Pexels

I have the best job in the world.

I spent three weeks in November feeling right at home at DGS – huge thanks to the English team, who made me feel so welcome, and a special INCREDIBLY BIG thank you to the Year 9 students (all 270 of them), who opened their eyes, ears, hearts and minds to my poetry workshops. The work they produced in under one hour was stupendous! They made getting out of bed on a grotty winter’s morning entirely worth it.

Another shining facet of my work this term in school has been working with the two Poet Laureates: Nina Winstone (Year 8) and Kat Richards (Year 11). Behind the scenes, these two poets have been writing away, fulfilling their role by writing in response to commissions. It’s been delightful to guide and support them on their journeys so far. They’re performing their latest poems in the end of term school assemblies but of course you can also follow their writing journeys and read their finished pieces on this blog.

Aside from my work with DGS, my own writing continues at its own unpredictable rate behind the scenes. I’m currently working on my second poetry collection, a new narrative sequence, and absolutely love diving in and out, as the drafting process continues. I have also enjoyed giving poetry readings in some inspiring places over the last few months – I think Oxford’s Natural History Museum gets the prize for most atmospheric venue!

I hope the New Year brings you optimism, creativity and contentment. I’m launching a poetry evening course for adults in the New Year, so am very excited about that. 2019 also brings me a fresh group of avid Year 9 & 10 writers on my Young Writers’ Mentoring Programme at DGS. Having already met them, I can’t wait to start working with them all.

Have a wonderful Christmas, and don’t forget you can keep track of my latest events, progress and general reflections on poetry and life, if you so wish, on Twitter @kitespotter.

‘those so-called/ exams’

This blog is a platform for sharing many things, one of the most vital of these things being: excellent writing created by some of the talented students I work with in my role as Patron of Writing at Didcot Girls’ School.

And here’s a poem by one of those talented students, Seth Gay (Year 9). Here they use their work to reflect, in a personal manner, on the extent to which schools have become ‘exam factories’ and pressure cookers, as a result of the Key Stage 3 and 4 curriculum changes in recent years:

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Poem copyright Seth Gay 2018 ©

Thanks Seth for allowing me to publish this startling poem. And get those poems to me, students at Didcot Girls!

Ask a Creative

ask-blackboard-356079I’ve reached the end of my poetry writing workshops with Year 9 students at Didcot Girls’ School. It looked a bit like this:

3 weeks

270 teenagers

a storm of unique voices

dozens of mind-freeing doodles

a symphonic display of ideas & imagery

hundreds of doors opened

AND

a flurry of post-it note questions posed.

One aim of these sessions has been to give young writers an insight into being a professional poet/writer/artist (a career they might have dismissed as not having ‘career status’.) So I encouraged them all to ASK QUESTIONS!

Here are some of the many and varied things that they were curious to find out about:

QUESTIONS

  • Why do you write poetry?
  • How many poems have you written?
  • What’s your new book called?
  • Are you a famous poet?
  • Did you go to school at DGS when you were younger?
  • Is the subject of your new book real or imagined?
  • Do you get paid as an author?
  • Is being a writer fun – would you recommend it?
  • What’s your favourite part about writing poems?
  • How much do you earn?
  • What inspired you to become a writer?
  • Why did you decide to become a poet?
  • Do you find it easy to title your poems?
  • Do you have a main topic that you write about a lot?
  • What’s your favourite genre of poetry?
  • What’s your favourite poem (that you haven’t written)?
  • Would you give up poetry if you could get another dream job?

 

It’s been a privilege DGS – THANK YOU! And as I continue the year as your Patron of Writing (with more creative opportunities to come), let’s keep this dialogue going…

Poems to remember, by the DGS Poets Laureate

agriculture-barley-bloom-461284I’m delighted to be able to publish two poems, specially commissioned for the 100 years of Remembrance, written by the Didcot Girls’ Poets Laureate:

Kat Richards and Nina Winstone.

Please take a moment to read. Reflect. Remember.

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IMG_3590Poems are copyright of Nina Winstone & Kat Richards ©

Open the door

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‘I open the door and then

I see a lonely man

as lonely as I was when I got taken away

I went up to him and said

Do you need a friend

and the wind started to blow

I was cold

he was cold

but there was nothing there…’

(Text © of the author, 2018)

This was written in one of my poetry workshops at DGS this week. You might think it’s good. But not exceptional.

Until I tell you that this writer was a 13 year old student from set 10 (the smallest English class with students who have multiple additional barriers to learning, for whom writing is not just hard, it’s an ordeal). This was a first draft. She wrote it just like this, first time (the only differences are the spellings, some of which I’ve corrected for publishing on this blog).

For me, this is a beautiful example of the fact that opportunities for creative writing MUST be open to all, regardless of background or ability, and that writing HAS to be for all. We can work through things when we write. Express things that we had not even known were there. We can test boundaries, explore and pursue new concepts and structures. We can experience freedom of thought.

This writer read her work aloud in front of the group. At the end of the session, I think she left the room a whole foot taller.

Let’s open the door for all young people, regardless of age/identity/background/gender/ability, to write freely in our schools. Please.

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Delight

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I’m at the end of my first week of poetry workshops with Year 9 at Didcot Girls’ School and just couldn’t be happier. The responses to the sessions have been absolutely glowing!

So before I take the weekend off, and get some R&R in preparation for week two, I thought I’d share some of the students’ feedback so far –

The session has changed how I feel about:

the unreal

drafting

Poetry. Because I thought it was restricted.

expressing my ideas through writing

the real side of poetry

poetry and English

writing about anything and everything

How I can use imagination to express how I feel

I find it free

I didn’t like poetry until this session

My imagination is let free

I was able to write down all of my thoughts without any limits holding me back

I might write poetry now and again

I thought poetry had certain rules and was really hard but it changed my mind about that

….

(and this is just a small sample of some of the positive comments made!)

I’ll be sharing some fragments of the students’ original, startling and expressive writing written during my workshops on the blog soon. So please check back.

But for now – I’m off for a bit of a RELAX…

 

 

 

Introducing: The DGS Poets Laureate!

I was mightily proud of Kat Richards (Year 11) and Nina Winstone (Year 8), who captivated the 1000+ strong student and staff audiences at Didcot Girls’ School this morning with their poems, on the theme of ‘Freedom’.

And what better way to introduce these poets to the world than through their poems?

‘Butterfly’ by Nina Winstone

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‘Freedom Isn’t Free’ by Kat Richards

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© All poems copyright of authors

I fell really privileged to be mentoring them over the course of this year –  more to come from them soon!